Returnal

[Maryokutai]

If I had a PS5 and if this wasn't some roguelike stuff I'd be all over this because the moment to moment gameplay looks extremely fun and it actually reminds me a bit of Vanquish, despite having a different take on movement (and overall tone, obviously).

 

It's weird how Housemarque saw triple-A as their redemption though, even if they admitted to hitting a wall with their previous games. I also doubt the protagonist is doing them any favours ─ it's cool to see a middle-aged, not particularly attractive woman in a lead role, but she has has zero mainstream appeal. And that's on top of a game that already seems like a hard sell. At the end of the day this is basically an even weirder version of Control and that game was just about a success on three systems at the end of their lifespans.

[DisturbedSwan]

 

 

[DisturbedSwan]

Review embargo doesn't drop until tomorrow but 2 have leaked early

 

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9.3 – wccftech

Save for an ending that crashes nearly as hard as Helios' entry onto Atropos, Returnal checks all of the marks for what a best-in-class roguelike should aim for. A gameplay loop that rewards the player for innovation and mastery, loot that can synergize to create some unstoppable character builds, and most importantly, weapons that simply feel right in the player's hands. Without a doubt, Returnal is one of the finest PlayStation 5 exclusives available in 2021 and those that are eager for the next great challenge can find plenty to look forward to with Selene's first steps onto the alien planet again and again.

9.3 – fextralife

Returnal was neither a game I was looking forward to, or knew too much about before playing this past week. I’m generally not a fan of rogue-like games, but Returnal has changed my perspective completely. And, while I enjoyed Hades immensely “for a rogue-like game”, I simply enjoyed Returnal. Full Stop.

 

Looking good so far...

[mmmark]

That launch trailer makes it look loads better than what they'd shown before.

[DisturbedSwan]

 

[DisturbedSwan]

Housemarque Press Release: Housemarque's next awesome arcade action game releases tomorrow!

 

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TLDR

• Returnal is finally soon out after over 4 years in the development, almost six years after the initial concept was born.
• We are incredibly proud of what we have accomplished. Despite these challenging times the team has been able to ship a unique and intriguing game.
• Kudos and huge thanks to the Housemarque team, external studios helping us out and our publishing partner Sony, who took a chance on us and gave us an opportunity to create something new and unique.

Returnal is going to be out tomorrow and we are so proud and happy to finally release the game to the world. The wait is soon over, and our work has now been completed and it’s now time for us to wait for you fans, reviewers and influencers to tell your opinion of the game. Before you have your hands on the game, I want to share a few thoughts with you and reveal some things that might not be so obvious to everyone following the games industry. 

We have just wrapped up development and are taking a deep breath here at Housemarque. Even though we announced that Returnal went gold a few weeks back, our team has not stopped working on the game to further balance and polish. This might probably be hard to believe if you aren’t the insider in the game development scene and haven’t been part of shipping a game yourself. There is always something you think you could improve, add, or polish. I think it is not even possible to develop a “perfect” game with everyone in the team thinking that we have now accomplished everything we ever dreamed of, when finally setting the game free out to the world. And therefore, we’ve worked on the first day patch trying to make the game even a little bit better up until the last moment.

When we started our pre-production of the game almost exactly four years ago in March 2017, we never would have imagined how big a production we eventually would be making. Looking back, it’s almost incomprehensive to think that we were working on four (!) different projects and we only had 50 people in-house at the time! We were finalizing two different projects, Nex Machina and Matterfall, prototyping and experimenting with a multiplayer project we later named Stormdivers and were starting a small pre-production of a totally new game. 

At the time it was very hard to see which, if any, of the projects would be moving us forward in the years to come. Our multiplayer PvP prototype seemed at the time as a necessary experiment as the industry seemed to have moved on from single-player games towards multiplayer games. We were thinking that if we don’t have anything to show on that front, we might be out of the business very soon as we wouldn’t be able to sell any projects to publishers anymore. 

We were hoping that our self-published Nex Machina would allow us to have at least a bit of financial freedom to enable us to continue developing great arcade, fast paced shoot-em-up experiences. During the years preceding the release of the game, publishers had been less and less keen on talking about funding arcade inspired games and we wanted to prove that there’s still life in the genre. After all, we were working with our hero and one of the most legendary arcade game developers of all time Eugene Jarvis best known for games like Defender, Robotron 2084 and Cruis’n USA. We’d also noticed that companies developing shmups like Japanese masters of the genre Cave and Treasure hadn’t been releasing anything new in years, so we certainly had seen the writing on the wall. 

Although we managed to release one of the best reviewed new game of 2017 according to metacritic, we were certainly left disappointed with the sales leading me to declare #arcadeisdead and ending our long standing commitment to the arcade genre. Giving up on the genre didn’t mean that we’d be giving up on our deep commitment to fast-twitch action gameplay. Instead, we wanted to take on the challenge to figure out how we could translate our arcade 2D gameplay expertise into a 3rd person action game. On the other hand, it was still very uncertain, if we’d be able to move past the prototype phase and convince Sony to keep on funding a new, unproved concept. The concept was ridiculously ambitious and looking back we as a company really weren’t totally appreciating the challenge ahead of us and how hard it could be to tackle it.

In the age when game publishers are taking less and less creative risks, we are truly thankful to our publishing partner Sony, who has given us an opportunity to work on something very risky and has given fantastic support during the whole project.  We are forever grateful for having this opportunity.

Shipping games is hard, shipping games that are bigger, more ambitious than the company has ever delivered before featuring things that we’ve never done in our previous games, like translating Housemarque arcade gameplay from 2D to 3rd person action and adding substantial storytelling elements, is even harder. We also added quite a few new wonderful people in the team growing up to 75 game developers internally at the same time and tried to figure out how to produce a game of this scope. We also have been working with great external partners helping us out to create the best possible game and delivering the game on a new platform, which has some ground-breaking features to consider. Then adding a total new challenge in a form of COVID-19 pandemic forcing us mostly to work remotely, we can start talking about some additional challenges to game development, which is never easy in the first place!

Finally, huge thanks to our team, which has overcome many challenges during the development of the game and many key team members have pushed themselves beyond any expectations to bring a unique game to the markets for our fans to enjoy. Getting a game out does not happen every day and it’s always a big moment and worth celebrating. Game development is really like magic as things are created out of thin air, starting from a small idea and eventually those ideas start to cluster together to form a game concept. Very few concepts come to fruition. In our case, the first pitch deck of the game was put together in August 2015 and now many years later we are witnessing the release of the most ambitious and daring game of our history. This is truly miraculous!

We’ll be partying, online unfortunately, on the release date and the whole team at Housemarque is super proud of what we accomplished. Thanks for supporting and being with us for all these years. There are great things ahead, but let’s first start with the release of Returnal! We hope many of you enjoy your adventures on Atropos starting 30th of April, 2021! 

 

Cheers!

 

Ilari

 

 

[DisturbedSwan]

Reviews are in:

 

OpenCritic

 

Metacritic

 

 

[DisturbedSwan]

 

[DisturbedSwan]

There's a lot of news dropping today @Nag reviews came out at 1PM BST, so just posting those pretty much, like I do with every game (as long as I remember to). I posted the Skill Up review as some here find him more neutral and less prone to 'hype' shall we say than EZA and others. 

 

I don't think you've got the minerals for this anyway to be honest, you'd die a few times and go wah wah back to CeX. ?

 

I really want it and have resisted the urge to Klarna it about 5 times to past 2-3 days but I just know I won't have any time to play it until June realistically. I'll definitely pick it up at some point.

[one-armed dwarf]

What is klarna? I saw that word on here before and dunno if it means witchcraft ?‍♀️

[DisturbedSwan]

5 minutes ago, one-armed dwarf said:

What is klarna? I saw that word on here before and dunno if it means witchcraft ?‍♀️

 

It's basically paying over 3 months interest free, so instead of £65 up front it would be like £21.66 a month for 3 months. It is basically witchcraft, and dangerous as it makes things more affordable ?

[one-armed dwarf]

Yea honestly sounds a bit dodge ?

[mfnick]

PS5 games are so expensive you have to finance them. 

[DisturbedSwan]

I’d sell a kidney and my left bollock for Silent Hill to be fair ?

[one-armed dwarf]

I would not think a Bloober game would be worth parting with one's organs 

[AndyKurosaki]

From reading the reviews, this is definitely not a game I’d pay £70 for. I suck at rogue like games, and this sounds punishing as fuck.

I’d rent it sure. But £70? Fuck off. To be fair, I wouldn’t buy any game for £70, as that just takes the piss.

[DisturbedSwan]

21 minutes ago, one-armed dwarf said:

I would not think a Bloober game would be worth parting with one's organs 

[OCH]

40 minutes ago, AndyKurosaki said:

I wouldn’t buy any game for £70, as that just takes the piss.

Just reminds me of the N64 days, to be fair.

[mfnick]

Back to only getting 1 or 2 games a year then ?

[one-armed dwarf]

Can mfnick's mum buy me a PS5 with FFVII Intergrade, thanks.